L’Avant-garde en Géorgie (1900-1936).

L’Avant-garde en Géorgie (1900-1936). : ©David Nestorovich Kakabadze. Museo Nacional Thyssen-Bornemisza, Madrid    L’Avant-garde en Géorgie (1900-1936). : Gigo Gabashvili, A Woman with Wings, 1910 © Sh. Amiranashvili Museum of Fine Arts    L’Avant-garde en Géorgie (1900-1936). : Irakli Gamrekeli, Set design for Ernst Toller’s Play Masses Man © Art Palace of Georgia - Museum of Cultural History, Tbilisi    L’Avant-garde en Géorgie (1900-1936). : Kirille Zdanevich, Sketch for the play Maelstrom, 1924 © Art Palace of Georgia - Museum of Cultural History, Tbilisi   


The exhibition


The creation of a first Republic of Georgia in 1918 arouses all hopes. Until its brutal and military reintegration into the USSR in 1921... Placing the spotlight on the three crazy years of this enchanted independent parenthesis, BOZAR reveals an avant-garde located at 41° between past and future, between East and West: if it draws on Georgian traditions and the teaching of Russian Fine Arts, to better reinvent cubism, futurism, Dadaism, zaoum or toutism. Even though most of the artists exhibited ended their days in Paris, it is clear that we know practically none of them.

Extract from the article by Emmanuel Daydé published in No. 109 of the Art Absolument magazine. Published on January 11, 2024.

When


02/01/2024 - 14/01/2024
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